1. |
Seppuku
03:22
|
|||
|
the Kindest Angel That I Ever Met
Held my hand and through the shadows Led my Love in haste
Kindled All That I Explain as Magic
Spilling all the eggs from this useful basket case
The Truth is that I am
A lost boy inside a man
More a child, a lesser man
The truth is that I’ve wept for
the love I Could not ever have kept
But i walk onward, Oh Lord
Seppuku yes I knew I was falling on my sword
Killing All That I Expressed Madly
Same for the sane that I communicate badly
In Kundalini Apes The Ice Eyes Melted
Foreign to this land, in your heart I Sheltered gladly
Seppuku I fall on my sword
Oh I know you’re calling me Lord x
|
||||
2. |
Dinosaur Days
02:11
|
|||
|
I'm sitting, sitting on the naughty step,
Drinking cups of horlix I don't know the way,
Cos the world seems, an awful lot of day dreams
Punctuated by screams I don't wanna play....
When the game is enslave, since we offered a wave
And walked out the cave
And now that they gone, I often long
For those dinosaur days, when we would just play....
Sit down quiet be a good boy, I don't wanna hear noise
Don't make a sound
Cos the World burns, Just too late that I've learned
They don't wanna be burned or want me around,
When the game is enslave......
My Triceratops, sticking out the toybox
leaning on a Stegosaur I pulled out the bottom drawer
Where B.A. is nestling with Murdoch
Guess they found a way to stop the pain that they feel....
|
||||
If you like Beeba, you may also like:
Pete Yorn Live At The Troubadour
by Pete Yorn
A sprawling, 25-song set from Pete Yorn complete with covers of Springsteen and The Smiths capture him at his unguarded best.
go to album
Old Mountain
by Good Good Blood
Ghostly indie rock from Good Good Blood, with skeletal guitars and distant, echo-shrouded vocals.
go to album
Thin Lear's sophisticated rock music is tempered with soaring chamber pop accents and an undeniable gift for melody.
go to album
The Woman You Want
by Eliza Shaddad
Haddad returns with cinematic soundscapes that include introspective folk, post-grunge, and indie-pop influences.
go to album
Enough as it Was
by Amos the Kid
Terrifically edgy guitar rock defines the latest from Amos the Kid, funneling country influence through a gritty indie aesthetic.
go to album
The Boy With Pearls For Eyes
by Ollie Cook
Killer tunes from teen indie rocker Ollie Cook, who has an ear for a smart riff and an eye for sharply imagistic observation.
go to album
Awash in homespun sonics and simple, effective melodies, the debut record by Melbourne's Grand Pine is a folk pop lover's delight.
go to album
